Nietzsche declares the death of God, and put forward the "Superman Theory".
尼采宣告上帝死了,提出了“超人”理论。
The classical modernity still kept faith in the infinite future - even after the death of God, even after the loss of faith in the immortality of the soul.
经典的现代性仍然对无尽的未来有着信仰—哪怕上帝已死,哪怕人们已经失去了对灵魂不灭的信仰。
Already Nietzsche stated that the only possibility to think the infinity after the Death of God, after the end of transcendence is: the eternal return of the same.
它可以被重复—客观的,潜在是无限的重复。尼采说:在上帝已死,超越已终结之后,思考“无限”的唯一可能就是:永恒反复。
Nietzsche announced the death of God and Dostoyevsky's Grand Inquisitor asserted that when God is dead all things are permitted.
尼采说上帝死了,陀思妥耶夫斯基的宗教法庭审判官声称,当上帝死亡时一切事物都是允许的
Modern poetry arises, in Eliot's case, with the death of God, with the loss of a theological justification for life, with a sense of disenchantment, a sense of depletion, depletion of meaning and value.
在艾略特而言,现代诗歌的兴起,与对上帝信仰的消失,以及对生活不再在理论使其合理化,及人们的觉醒,对意义和价值的耗尽是相伴相随的。
Yes, Barthes talks about the death of the author, but even Barthes doesn't mean that the author is dead like Nietzsche's God. The author is there, sure.
是的,巴尔特谈到了作者已死的问题,但和尼采所说的上帝已死这个层面上的内容还是有所不同,作者肯定就在那里。
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